Acknowledgement of Country

We acknowledge Tasmanian Aboriginal People as traditional custodians of this land. We pay respect to Elders past and present, as they hold the memories, traditions, culture and hope for generations to come. We recognise and value Aboriginal histories, knowledge and lived experiences and commit to being culturally inclusive and respectful in our working relationships with Aboriginal People.

Art in Public Places

Arts Tasmania manages public art commissions for the Tasmanian government through the Tasmanian Government Art Site Scheme.

Arts Tasmania  can also assist clients in the private, community, local and federal government sectors to develop and manage public art or design commissions specific through our Corporate Art Scheme.

The Tasmanian government's policy on art in public places, primarily through the Tasmanian Government Art Site Scheme, allocates 2% of the capital works estimate for government buildings and renovations exceeding $250,000 to the purchase and commissioning of artworks. This scheme, operational since 1979, has created over 1,900 artworks across Tasmania. Additionally, local councils like Launceston and Glenorchy have their own public art strategies and policies, emphasizing community engagement, cultural sensitivity, and the promotion of local artists. 
Here's a more detailed look:
Tasmanian Government Art Site Scheme (TGASS):
  • Funding: Allocates 2% of capital works budget for new government buildings and renovations exceeding $250,000.
  • Budget: Each project's artwork budget is capped at $80,000.
  • Focus: Supports the visual arts in Tasmania, creating a contemporary public art collection and benefiting the wider community.
  • Process: Arts Tasmania works with partner agencies to develop artist briefs.
  • Commission Opportunities: Advertised through the Arts Tasmania website and newsletter. 
Local Council Policies:

  • Community Engagement:
    Councils prioritize engagement with local communities to ensure artworks are culturally appropriate and foster community ownership. 
  • Local Artists:
    Public art programs aim to support local artists, providing employment opportunities and building the region's creative capacity. 
  • Cultural Tourism:
    Public art is seen as a way to attract visitors and contribute to the local economy. 
  • Heritage and Cultural Sensitivity:
    Policies emphasize the protection and respect for Tasmanian Aboriginal cultural heritage and places of significance. 
  • Best Practices:
    Councils strive to use best practice processes for commissioning, installation, maintenance, and deaccessioning of artworks. 
  • Integration:
    Public art is integrated with broader placemaking and city-shaping initiatives, as well as new development

Launceston City Council pulls apart famous Stephen Walker sculpture

A SCULPTURE by one of Tasmania’s most famous artists has been pulled apart by the Launceston City Council … but it says it will be put back together.

Part of the Stephen Walker statue in Launceston's Civic Square, featuring thylacines.
Part of the Stephen Walker statue in Launceston's Civic Square, featuring thylacines.


THE Launceston City Council says a Stephen Walker statue which has been separated during construction works in Civic Square will be put back together.

The Tasmanian Tableau work by one of Tasmania’s most eminent sculptors was recently separated into two components, placed in different garden beds and remounted on large boulders.

Community members took up the cudgels on behalf of the late Mr Walker saying that without consultation with his estate Mr Walker’s moral rights had been infringed.

A Launceston City Council spokesman said the statue would be back in one garden bed when works were finished.

Part of the Stephen Walker statue in Launceston's Civic Square, featuring a wedge-tailed eagle.
Part of the Stephen Walker statue in Launceston's Civic Square, featuring a wedge-tailed eagle.

“The redevelopment of Civic Square necessitated the temporary relocation of the various elements of the Stephen Walker sculptures,” general manager Michael Stretton said.

“However, the sculptures will be returned to their original formation before the redevelopment works are complete, and the Council has been liaising with the Walker estate on this matter.

“While the first stages of the square have been reopened to the public, this does not represent the completion of works in these areas — catenary systems, lighting systems, heritage interpretation features, wayfinding and the final placement of the Walker sculptures are among several outstanding projects remaining at the time of writing.

“The redevelopment works are scheduled for completion by the end of June.”

Independent researcher Ray Norman said the Launceston City Council’s the original rearranging of the work was illegal under copyright law.

“The redevelopment of the tableau significantly nullifies the works integrity and the artists intentions,” he said.

‘Now the council is saying that it will be put back together but what the ratepayers need to know is how much that will cost, it won’t be peanuts,” he said.

“They will need to bring a crane in and it will all add up.”

He said that the situation would not have occurred if there had been meaningful consultation.

Mr Norman said that there had already been costs because the council had brought Mr Walker’s widow to Launceston from Hobart recently for consultation.

The works are part of a $7.5 million Launceston City Heart project which is part of the $260 million Launceston City deal signed with the Federal Government.

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